The Memoirs of Sherlock Holmes (Farewell Jeremy Brett)

The Memoirs of Sherlock Holmes marks the end of the Granada Sherlock Holmes series starring Jeremy Brett. Collectively the series ran for ten years and in its time picked up a huge following from devoted Doyleans to the general public seeking a good evening drama to pass an hour with. The performances of Jeremy Brett as Sherlock Holmes and Edward Hardwicke as Dr. Watson (who took over the role from David Burke in The Return of Sherlock Holmes in 1986) were and are widely celebrated as the best Holmes and Watson, Brett mastering the darkness of Holmes, as well as his warmth for his friend Dr. Watson, his astute deductive powers and extraordinary charisma. Edward Hardwicke (my personal favourite Watson) ably followed on from David Burke's previous characterisation, making the character intelligent, observant and loyal to his best friend Sherlock.

Jeremy Brett and Edward Hardwicke, the definite Holmes and Watson in the first episode of the Memoirs series 'The Three Gables' broadcast in early 1994.

The Granada series was the most faithful, most detailed Sherlock Holmes production ever made, almost without exception Sir Arthur Conan Doyle's stories were respected to the letter. The six episode Memoirs series however was beset with problems during its production, and had the misfortune to directly follow on from a shaky era in the Granada franchise. Following the previous series 'The Casebook of Sherlock Holmes', Granada departed from the usual fifty minute episode format for the programme and instead commissioned three two hour feature length episodes from the material that was left of the original Doyle stories. Although 'The Master Blackmailer' was widely celebrated by fans of the series, as it remained generally faithful to the original, the following two feature episodes 'The Last Vampyre' and 'The Eligible Bachelor' based on two more of Doyle's weakest short stories received harsh reviews from the critics and Holmes devotees alike, due to its general abandonment of Doyle's original text. This damaged the reputation of the Granada series and it was only due to a gap in the schedules that producer June Wyndham Davies was able to go ahead with a new six part series, The Memoirs of Sherlock Holmes, which much to the delight of Jeremy Brett, who began to dislike the two hour adaptations, returned the series to its original fifty minute format. Brett had also ensured that the series maintained its faithfulness to Doyle's stories due to his insistence that he would never play the role again unless the programme was loyal to Doyle's writings. The return to the original format helped the programme get back on track, but sadly the writers were still stuck with the barrel scrapings of the short stories.

What the production team produced with this material is, in my view, nothing short of inspiring, the Granada Sherlock Holmes series as a whole is of such outstanding quality that it is difficult to imagine a better television drama, let alone a better adaptation of a cultural icon. Memoirs however does suffer from various production problems which producer June Wyndham Davies fought endlessly to get the series completed. The first episode produced 'The Golden Pince Nez' had to be made without Edward Hardwicke as Watson. He was unavailable as he was working on a feature film at the time so he was replaced by the wonderful Charles Gray as Mycroft Holmes, a role he had played twice before in the Granada series. This was a minor hurdle, but worse was to come. Jeremy Brett's health had greatly declined after The Casebook series and during Memoirs he was very unwell. A sufferer of manic depression and a heart condition, during 'The Three Gables' he collapsed on set and his hospitalisation delayed filming for some time. He later became even more unwell after 'The Dying Detective' so for the adaptation of 'The Mazarin Stone' (which due to shortage of material includes material from another short story 'The Three Garridebs') Charles Gray returned to the series as Mycroft Holmes, Mycroft's part filling in entirely for Sherlock as Brett was once again hospitalised. 

Charles Gray played Mycroft Holmes in two episodes of Memoirs 'The Golden Pince Nez' and 'The Mazarin Stone'

Jeremy Brett returned to the role for 'The Cardboard Box' the finale of the series, which is arguably the finest episode of the production. Unsurprisingly this would mark Jeremy Brett's final appearance as Sherlock Holmes. Despite its production problems The Memoirs of Sherlock Holmes continues the high standards that we would expect from a Granada production. The visuals are stunning, with the excellent directors Peter Hammond and Sarah Hellings chosen to helm the series. 'The Mazarin Stone' despite its affected production looks marvellous on screen, the final sequence in which Mycroft closes in on Count Sylvius is beautifully shot, the ethereal presence of Jeremy Brett's Holmes in a dark night mist provides an excellent conclusion to an uneven narrative of cobbled together short stories. Crucially also, the series is generally faithful to the original text, something which had been lacking in the previous two feature length episodes. I give this series ten out of ten for overcoming all odds and maintaining a high level of quality as fantastic television drama. I'd recommend the series to all Holmesians and fans of good television, every episode has something to offer. Despite his illness Jeremy Brett gives another superb performance as Sherlock Holmes, a part which he made his own, and arguably brought to life better than any other actor. Edward Hardwicke is equally brilliant as Dr. Watson and one feels sad that no more episodes were made. But perhaps, with the best material gone, it was for the best. What we have left is truly special. The Granada Sherlock Holmes series, is, in my view, one of the finest television drama series ever made and marks the end of a wonderful era for Sherlock Holmes, that may never be bettered.

The final episode of The Memoirs of Sherlock Holmes, 'The Cardboard Box' was aired on 11th April 1994. Aside from small roles in two further feature films (unrelated to Holmes) it would be Brett's final work. He died of heart failure on 12th September 1995 aged just 61. Edward Hardwicke died on 16th May 2011 at the age of 78. Upon Brett's death his obituary in the New York Times would comment "Mr. Brett was regarded as the quintessential Holmes: breathtakingly analytical, given to outrageous disguises and the blackest moods and relentless in his enthusiasm for solving the most intricate crimes". Benedict Cumberbatch would study Brett's performance when preparing to take on the famous role for the first series of 'Sherlock' which made its debut on BBC One in 2009, brought to life wonderfully for the digital age by Steven Moffat and Mark Gatiss. 

Although Brett himself felt he was always one step behind the character many would agree he made a perfect Holmes. It is of no surprise that casual viewers today associate Sherlock Holmes with either Basil Rathbone, the latest portrayer Benedict Cumberbatch or Jeremy Brett, the three actors who have arguably made the most indelible marks on the franchise. It'll be interesting to see whether Cumberbatch's impact on the character is as far reaching as Brett's has been. Either way Holmes's legacy is assured, and Jeremy Brett's contribution to that legacy is currently, in my opinion, unsurpassed. 

NOTE: All production stills and photographs used in this review are copyrighted to Granada Television and ITV c 1994. The first seven of my Screenprick reviews are edited and embellished versions of reviews I have previously published on IMDb (Internet Movie Database) under the account name 'The Valeyard'. Review Eight will be a brand new review posted on this blog first! A review of 'Sherlock' by Steven Moffat and Mark Gatiss will follow later in the year. The next review will be on the classic late 70's to early 80's ITV science fiction series 'Sapphire and Steel'. 

The Outer Limits (The Classic Series) A Review

The Outer Limits was (and is) a total rarity in the crowded halls of Science fiction. Produced on a very low budget by Daystar Productions (the production company owned by the series creator Leslie Stevens) and broadcast in America by ABC between 1963-65 as a contender to the hugely successful Rod Serling fantasy anthology series 'The Twilight Zone', the series explored some fascinating concepts (usually deep routed in a science fiction context) and was admirably non conformist in its execution. Far more intelligent and thought provoking than other enjoyable mainstream science fiction fare such as Lost in Space or even Star Trek, The Outer Limits challenged dominant ideologies beautifully in a number of episodes, 'Nightmare' being the finest example. 

The first season's production team of Leslie Stevens, Joseph Stefano (the man behind the screenplay for 'Psycho', and largely responsible for the series Gothic style) and Dominic Frontiere (whose chilling music characterised the Gothic nature of the series) the show was extremely well made. This was largely helped by a fantastic line up of directors, such as Byron Haskin, James Goldstone, Gerd Oswald and Laslo Benedek, and also Leslie Stevens himself who was responsible for the iconic opening, which has been parodied in so many series, even The Simpsons! Due to the flexible format of the series it could be almost anything, from a typical science fiction plot line to one of a Gothic horror (like the deservedly celebrated The Forms of Things Unknown). 

Like most series, however, there were some poor episodes along the way, such as the very poor and confusing 'Production and Decay of Strange Particles', 'The Hundred Days of the Dragon' and 'Specimen: Unknown' but all in all the first season of The Outer Limits was breathtakingly new and exciting, well written and well made. It is very hard to achieve this level of quality in any television series, but Leslie Stevens and his team had succeeded with relative ease. 

James Shigeta encounters the Ebonite Interrogator, played by the late John Anderson in the classic first season episode 'Nightmare'.

The most notable episodes from the first season include 'A Feasilibility Study', 'Fun and Games', 'Nightmare', 'The Galaxy Being', 'The Man Who Was Never Born', 'The Chameleon', 'Corpus Earthling' and 'The Guests'. Unfortunately like most things that are bold, new and most importantly non conformist the first season failed to live up to the expectations of the ABC executives and when a Second Season was commissioned the budget was drastically cut and the programme makers were ordered to make the show a more generic/mainstream fare. Joseph Stefano (who had worked extremely hard on achieving the look and quality of the first season) was understandably outraged by these suggestions and left immediately. He was followed by Dominic Frontiere and a number of the original production team that had all been crucial in the originality and success of the first season. This had a very negative effect on the following season.

Bizarrely, ABC chose Ben Brady (producer of Perry Mason) to replace Joseph Stefano for the new season and implement the desired changes. Brady turned the series into an unusual combination of Science fiction and Perry Mason, with the episodes 'The Expanding Human' and 'I. Robot' being the most blatant examples. The one excellent choice Brady did make was hiring Seeleg Lester as Story Consultant for the second series. Lester was an extremely talented television writer, and had a notable understanding of what The Outer Limits was all about. Perhaps because of him a number of the episodes are of fantastic quality. Some other benefits of the second season was that Brady was able to keep many of the original directors, including Byron Haskin and Gerd Oswald and a number of new writers were drafted in to provide scripts. The most notable of these is of course Harlan Ellison who provided two top notch stories 'Soldier' and 'Demon With A Glass Hand', the latter of which won two prestigious awards including 'Best Script for an Anthology Series'. Lester himself would also provide the excellent 'Wolf 359' and other classic episodes include 'The Dupicate Man', 'Cold Hands, Warm Heart', 'The Inheritors' and 'Keeper of the Purple Twilight'. Also, composer Harry Lubin produced some excellent, mysterious and moody music for the new season, and a memorable new theme (incorporating the eerie vibrations of the theremin (the ultimate electronic instrument) - even if a certain percentage of the music was recycled from his scores for the earlier anthology series 'One Step Beyond'.

Ikar from the second season classic 'Keeper of the Purple Twilight' 

Despite these successes however the series had lost its visual intensity and moral drive. Put in competition with the hugely successful 'Jackie Gleason Show' (in another attempt by ABC officials to kill the programme) the second season was axed after 17 episodes, ending on the mediocre episode 'The Probe'. Thus, one of the finest science fiction series ever produced had come and gone in a very short space of time. Maybe if the impatient ABC officials had waited a little longer when the programme was under the control of Stevens and Stefano the show would have lasted, but like so many television series, this was never allowed to be. 

Thankfully though, once the show entered syndication it picked up many new fans and gathered a cult status. Due to this, today the series has a considerable fan following, and a 1990's revival to keep its spirit alive. This is all thanks to the creative talent and genius of Leslie Stevens, Joseph Stefano and later Seeleg Lester for making a totally different series, one with many moral messages and one that was beautifully told, from the gothic art house film feel of 'Forms of Things Unknown', the fairytale like execution of 'The Guests' to the claustrophobic and shadowy 'Demon With A Glass Hand' each episode has something to offer. Truly television at its very best. The Outer Limits is a fine example of an era in television we may never see again.

Taking a left turn from television Science fiction my next blog review will be looking at 'The Memoirs of Sherlock Holmes' the last Granada series featuring the great detective to star the late Jeremy Brett in the lead role. This review originally posted on the Internet Movie Database in 2009 is being posted as a reflection on the increased interest in the character since his stories were re-imagined by Steven Moffat and Mark Gatiss for the digital age. A review of their Sherlock stories, the most recent series having received its début at the beginning of this year will be posted later in 2014. 


NOTE: I don't own the copyright to the pictures used in this blog post and all pictures are copyright to Daystar Productions and MGM.

The first seven of my Screenprick reviews are edited and embellished versions of reviews I have previously written and posted on IMDb (The Internet Movie Database) under the account name 'The Valeyard'. Review Eight will be a brand new review published on this blog first!